Among the few truly experimental composers in our cultural history, Harry Partch’s life (–) and music embody most completely the quintessential . Original preface to “Genesis of a Music” Harry Partch Foundation To promote a youthful vitality in music we must have students who will question every idea. Genesis of a music: an account of a creative work, its roots and its fulfillments. Front Cover. Harry Partch. Da Capo Press, – Music – pages.

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Vocal music — History and criticism.

The composer’s written style is very similar to his natural speech, almost musical itself and a delight to read, at least in the earlier chapters. Privacy Policy Terms and Conditions. Da Capo Press, To ppartch what your friends thought of this book, please sign up. Second edition, enlarged View all editions and formats Summary:. An introduction to intonation: WorldCat is the world’s largest library catalog, helping you find library materials online.

Genesis Of A Music : An Account Of A Creative Work, Its Roots, And Its Fulfillments, Second Edition

By using our website you agree to our use of cookies. CS1 German-language sources de. In time greater knowledge of similar work by others led to several revisions in which history and the comparative aspects were stressed, although the basic principles remained unchanged. Please enter the message. Please re-enter recipient e-mail address es. Andy rated it it was amazing Jun 27, A thumbnail sketch of the history of intonation — Part IV is a brief presentation of historic and proposed intonations.

Genesis of a Music by Harry Partch

The music which is the result of this groping has been in the process of composition for seventeen years, and virtually every presentation of it has prompted numerous questions about its acoustical basis, its sociological postulates, its historic antecedents, and its compositional mechanics, the sum total of which cannot be treated adequately in less than a volume such as this.


You may send this item to up to five recipients. Sincewhen a first draft of Monophonic principles was completed, the work has undergone many evolutions. The book has been highly influential to succeeding generations of microtonal composers, including Lou Harrison[4] Ben Johnston[5] and James Tenney.

Jul 28, Phillip rated it it was amazing Shelves: Harry Partch’s Genesis of a Music is therefore invaluable, dealing as it does in detail with the composer’s inventions of microtonal musical instruments and his compositional method using a tone scale.

The canons of music do not comprise a corpus juris, common or codified, and the prevailing attitude is a symptom, a danger signal, of possible decay that no person imbued with a spirit of investigation can perceive without misgivings. The extent to which an individual can resist being blindly led by tradition is a good measure fo his vitality.

And while that’s cool, that’s kind of like a painter genwsis a book writing about how he gets psrtch pigments. Nevertheless when it comes to American composers, Partch’s work remains arguably well within the labels “obscure” and “quirky,” but I would argue, at times certainly also joyful and occasionally rather transcendent, like this book.

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Harry Partch, who grew up in small-town Arizona before World War II, is a genuine part of Americana and earthly music history, at least for insiders Mark rated it it was amazing May 17, Sep 24, Frank Elliott rated hargy really liked it. It belongs to those who accept the forms of a past day without scrutinizing them in the light of new and ever-changing technological and sociological situations, in the light of the interests that stand to profit by the status quo, and in the light of their own individualities, musci time and this place.


Definitions pertaining to intonation — 4.

The word Monophony applies to both music and intonation, for reasons that will become evident in due course. Search WorldCat Find items in libraries near you. Two stars only because I didn’t understand what the hell was going on. From Wikipedia, the free encyclopedia.

The descriptions of the tuning system itself can become quite com A fascinating read, providing a general and historic introduction into the reasoning behind Partch’s investigations into and refinement of a more natural tuning system than the current standard equal temperament that we have been stuck to pretty much since the invention of the keyboard.

Parts II, III, and IV explain Partch’s theories of scales, intonation, and instrument construction with copious acoustical and mathematical documentation.

At the same time that I acknowledge my great indebtedness to many workers in music, especially workers in intonation, I should make it clear that I do not intend this book for musicologists, nor even for musicians in the ordinary sense. Retrieved 4 January

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